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"Girl with the Golden Microphone" (oil on canvas 120 x 92cm)

*Available SmartArtz Gallery Melbourne - contact artist

"Untitled" (Work in Progress in studio)

"Red Dust Senorita" (oil on canvas)

"This is Not America" (Digital Print A3)

Pablo

"Pablo" (Charcoal on Paper 80 x 60cm)

Available from Frances Keevil Gallery Sydney - contact artist

face

Another work in progress (untitled oil on canvas 120 x 93 cm)

"Obstacle" oil on canvas (60 x 50 cm)

new work

"The Girl who loved Prose"

Wanted to share with you all my latest "painting".. well it’s painted on computer actually for a specific purpose.
As much as I love the smell of turps and the mess of gooey paint, I also spend time doing digital mock ups and reinterpretations of my real world work when I can find the time. I produced a drawing tutorial for the Australasian website of Wacom (makers of digital drawing tablets) some time ago (http://www.wacom-asia.com/community/procorner/walkthrough/index.php ) and was contacted by them yesterday and invited to submit a painting for an upcoming book. The book will be titled "The Art of Making Marks" and produced by IDN Magazine who as many of you would know are an international design magazine.

The deadline was pretty tight (2 days) so I dusted off my trusty Intuos 3 tablet, picked up my pen and set to work overnight. I finished up at 2:30 am but am quite pleased with the result. It’s so weird how some image editing and painting programs really do feel like I’m pushing and dragging paint around.. a normal painting like this in traditional media (oils) could take me a few weeks to complete! However, six hours straight left me pretty tired by the end of it  but it was nice to play around in a painting arena I haven’t visited for a while.

A lot of people have difficulty accepting computer generated work as real art but it doesn’t bother me. I love my jars of smelly turps, soiled rags, pots of brushes, broken charcoal, oil sticks, pastels and large primed canvas. I also love that solitary buzz of a late night in the studio with good music, red wine for company and a half finished painting on the go. But this was something different and with a finished result just as satisfying for me.

So, I introduce to you "The Girl who loved Prose", a fiery red haired Irish woman with a passion for the literary arts and like her caffeine girl friends, an ambiguous stare.

I’ll leave it just as it is and post the high res version off to Japan shortly.

You just don’t mess with Irish girls..

 

more new work

“Suspended Infatuation” Oil on Canvas

A rare self portrait.
Sometimes paintings just develop on the canvas and this is one of them. What I can say is that there is a hint of circus in this piece which probably points to my upbringing as a very young child.

The painting is certainly not unlike another painting of mine called “Literature and Levitation” in that it is also documenting or paying homage to the artists who have inspired me in so many ways throughout my life. There is also some sort of straight jacket which seems to be untied.. possibly a metaphor for being set free by art?

Perhaps.

 

 

new work

“The Adoration of Garry Shead” Oil on Canvas

I'm a big fan of Australian painter "Garry Shead" and this is pure and simple my own personal celebration of his work. There is no way I can deny his influence in this particular homage and I make no apologies for wandering off down the Shead path the night I painted this.

So, I recommend to you Garry Shead.. look up his work and you will see what I am referencing here.

Some information:

Sheads series of paintings based on D.H. Lawrence's book Kangaroo, are among the best Australian art paintings. 

A winner of the 1993 Archibald Prize, he is a noted painter and printmaker whose works highlight a distinctive love of the Australian landscape. He brings romantic and heroic elements to Australian scenes.

His Stockman series of paintings of the late 1980s, were followed respectively in the 1990s by the D.H. Lawrence series based on the Lawrence's book "Kangaroo" and the gently satirical "Monarchy" suite of paintings. Represented by the National Gallery of Australia and numerous state and regional galleries, Shead also won the Power studio grant, Cite Internationale des Arts, Paris in 1973.

 

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All images remain the copyright of L.O'Malley and are not to be reproduced without the permission of the Artist